Ricerc@Sapienza

This paper considers some forged inscriptions from the epigraphic collection of
the Fitzwilliam Museum in Cambridge, as the arrival point of a complex series of passages,
which began with the emergence of antiquarian collections in England. By investigating these
cycles, it is possible to observe how the same epigraphic text, certainly not classical, had to
change its nature according to the historical contexts and the sensitivity of its users, developing
from an erudite exercise into a functional element, and eventually becoming a ‘true false’.