| Titolo |
Pubblicato in |
Anno |
| Model and experience. Measuring deformations of rupestrian architectures in the area of Goreme |
Hypogea 2017. Proceeding of International Congress of Speleology in Artificial Cavities |
2017 |
| The rock-cut settlement and the courtyard complex of Sahinefendi (Nevsehir, Turkey) |
Hypogea 2017. Proceedings of International Congress of Speleology in Artificial Cavities |
2017 |
| The decreasing fortune of the drawing in the architectural processes. From control & development to verification |
Handbook of research on emerging technologies for cultural heritage |
2017 |
| In un foglio del Manoscritto B il ponte tra Leonardo e Francesco di Giorgio |
Territori e frontiere della rappresentazione |
2017 |
| Tra memoria e progetto. La modellazione delle volte sul foglio 10 del Codice B di Leonardo da Vinci |
3D Modeling & BIM Progettazione, design, proposte per la ricostruzione |
2017 |
| La rivoluzione del rilevamento architettonico. Santa Prassede, un rilievo (in corso) per la conoscenza |
SVMMA |
2017 |
| The digital model of the S.Zenone chapel inside Santa Prassede in Rome. A case study for the morphological analysis |
23rd Int’l Conference on Virtual Systems and Multimedia |
2017 |
| Hermann Maertens e der Optische-Maassstab. La fisiologia della visione al servizio della Raumkunst |
Transdisziplinarität in kunst, design, architektur und kunstgeschichte |
2017 |
| Mediated representations after laser scanning. The Monastery of Aynalı and the architectural role of red pictograms |
Caa 2015. Keep the revolution going |
2016 |
| Conveying Cappadocia. A new representation model for rock-cave architecture by contour lines and chromatic codes |
VIRTUAL ARCHAEOLOGY REVIEW |
2016 |
| Il disegno come traccia del pensiero progettuale di Leonardo da Vinci |
Le ragioni del disegno. Pensiero, forma e modello nella gestione della complessità / The reasons of drawing. Thought, shape and model in the complexity management |
2016 |
| I modelli digitali per Leonardo da Vinci. Le carte 18v e 19r del Codice B |
3D Modeling & BIM. Applicazioni e possibili futuri sviluppi |
2016 |
| Digital model, acquisition and processing; the new tecnologies for architectural survey |
Italian-Egyptian Workshop on Sciences and Technologies applied to Cultural Heritage I |
2016 |
| Mediated Representations After Laser Scanning. The Monastery of Aynali and the Architectural Role of Red Pictograms |
CAA2015 Keep the Revolution Going. Proceedings of the 43rd Annual Conference on Computer Applications and Quantitative Methods in Archaeology |
2016 |
| Modelli digitali e architettura rupestre. Il rilievo del cono di Santa Barbara a Goreme |
3DModeling&BIM. Applicazioni e possibili futuri sviluppi |
2016 |
| Gaspar van Wittel and the visual model of Rome by the Tiber |
Uniscape en route n.3. Recovering river landscape |
2016 |
| Il rilievo quale sistema di indagine di una struttura complessa. L'esedra dell’Open Air Museum di Goreme |
Le ragioni del disegno. Pensiero, forma e modello nella gestione della complessità / The reasons of drawing. Thought, shape and model in the complexity management |
2016 |
| Between landscape and architecture. Envisioning cappadocian rupestrian monastery through colorful contour lines |
ARQUEOLÓGICA 2.0. 8th international congress on archaeology, computer graphics, cultural heritage and innovation. Proceedings |
2016 |
| Mediated representations after laser scanning.
The Monastery of Aynalı and the architectural role of red pictograms |
CAA 2015. 43 Computer Applications and Quantitative Methods in Archaeology. Annual Conference. Book of Abstracts |
2015 |
| Laser scanning and automated photogrammetry for the knowledge and the representation of the architecture cave in Cappadocia. Sahinefendi and the open air museum in Goreme |
CAA2014. 21st Century archaeology concepts, methods and tools. Proceedings of the 42nd annual conference on computer applications and quantitative methods in archaeology |
2015 |
