Carlo Bianchini
Professore Ordinario
E-mail:
| Titolo | Pubblicato in | Anno |
|---|---|---|
| New Actualities for Mediterranean Ancient Theaters. The ATHENA Project Lesson | Oceans of Data. Proceedings of the 44th Conference on Computer Applications and Quantitative Methods in Archaeology | 2018 |
| Massive 3D acquisition of CH | Digital HERITAGE 2018. New Realities. Authenticity & Automation in the Digital Age. 3rd International Congress & Expo | 2018 |
| From BIM to H-BIM | Digital HERITAGE 2018. New Realities. Authenticity & Automation in the Digital Age. 3rd International Congress & Expo | 2018 |
| The critical reconstruction of the Temple. Theatre complex in the Italic Sanctuary of Pietrabbondante | Digital HERITAGE 2018. New Realities. Authenticity & Automation in the Digital Age. 3rd International Congress & Expo | 2018 |
| Rilievo 2.0: dalla teoria alla pratica | Rappresentazione/Materiale/Immateriale, Atti del 40° Convegno Internazionale UID | 2018 |
| Building Information Modeling (BIM). Great Misunderstanding or Potential Opportunities for the Design Disciplines? | Handbook of Research on Emerging Technologies for Digital Preservation and Information Modeling | 2017 |
| Dynamic archives. The documentation of six mediterranean theatres | Uniscape en route n. 4. Landscape & Archaeology | 2017 |
| Innovative digital heuristic approaches in architectural historical research | 2017 21st International Conference Information Visualisation iV 2017 | 2017 |
| (Di) Segni di pietra sul duomo di Terni. Dai tracciati di cantiere ai modelli digitali | Territori e frontiere della rappresentazione / Territories and Frontiers of Representation | 2017 |
| Quality or Quantity. The Role of Representation in Archaeological Architecture | New activities for cultural heritage. Proceedings of the International conference HeritageBot 2017 | 2017 |
| Anagrapheus. La costruzione di modelli digitali per la conservazione del patrimonio culturale. | ReUSO. Granada 2017. Sobre una arquitectura hecha de tiempo. Volumen 1. Metodologia, tecnica y conservation. | 2017 |
| Worksite tracing in Archaeological Architecture. A reconstruction workflow / Lo studio delle incisioni per l’Architettura Archeologica. Un workflow per la ricostruzione | DISEGNARE CON... | 2017 |
| Il Tempietto: rilievo 2.0 | Il Tempietto di Bramante nel monastero di San Pietro in Montorio | 2017 |
| Quale regola per il Tempietto? | Il Tempietto di Bramante nel monastero di San Pietro in Montorio | 2017 |
| Gerbert of Aurillac (c. 940–1003) | Distinguished Figures in Descriptive Geometry and Its Applications for Mechanism Science. From the Middle Ages to the 17th Century | 2016 |
| Low cost documentation for the knowledge of the city. | Annual International Conference. Proceedings of 4th Architecture and Civil Engineering (ACE 2016) | 2016 |
| Disegno di casa Ottolenghi di Carlo Scarpa | El arquitecto de la tradicion al signo XXI. Docencia e investigación en expresión gráfica arquitectónica | 2016 |
| Il contributo della Rappresentazione nel Building Information Modeling (BIM) per la gestione del costruito | DISEGNARE CON... | 2016 |
| Al di là della comunicazione. Modelli 3D euristici nella studio dell'Architettura/Beyond communication. 3D heuristic models in architectural research | Le Ragioni del Disegno / The Reasons of Drawing | 2016 |
| New analysis about archaeological architecture (Aa). Six ancient theatres of the Mediterranean sea | SCIRES-IT | 2016 |
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