| Titolo |
Pubblicato in |
Anno |
| Regole per l’armonia. La ricerca di Giuseppe Boschi attraverso i modelli |
Giuseppe Boschi "pittore ed architetto faentino" |
2020 |
| Rappresentare la sapienza. Conoscenza e documentazione della città universitaria |
PALLADIO |
2020 |
| Tradition and innovation. From worksite plans to digital models |
Digital Archaeologies, Material Worlds. Past and Present. Proceedings 45 th annual conference on computer applications and quantitative methods in archaeology, CAA 2017 |
2020 |
| Built and Destroyed Memory. Where Does Methodology Leads? |
Conservation, Restoration, and Analysis of Architectural and Archaeological Heritage |
2019 |
| Modelli su carta. L’eredità di Bramante |
Roma-Milano Architettura e città tra il XVI e XVII secolo |
2019 |
| Integrative IRT for documentation and interpretation of archaeological structures |
THE INTERNATIONAL ARCHIVES OF THE PHOTOGRAMMETRY, REMOTE SENSING AND SPATIAL INFORMATION SCIENCES |
2019 |
| Rappresentare il visibile e conoscere il non visibile: studi sulla Basilica Iulia al Foro Romano |
Riflessioni. L'arte del disegno/Il disegno dell'arte. Reflections. The art of drawing/The Drawing of art |
2019 |
| The double-chaired voussoir barrel vault on the Gymnasium Calidarium, Salamis Cyprus |
Reuso Matera. Patrimonio in divenire, conoscere, valorizzare, abitare |
2019 |
| Vecchi scavi e nuove tecnologie. Primi risultati del Progetto Basilica Iulia |
ARCHEOLOGIA E CALCOLATORI |
2019 |
| A workflow for fast 3D documentation. An experience on medieval architectural fragments |
Proceedings of the 23rd International Conference on Cultural Heritage and New Technologies 2018 |
2019 |
| Modi e modelli per la rappresentazione. Il Tempietto di San Pietro in Montorio
Representation methods and models. The Tempietto in the church of San Pietro in Montorio |
DISEGNARE IDEE IMMAGINI |
2019 |
| Geophysical investigations for the knowledge of the buried structures in the Basilica Julia at the Roman Forum |
|
2019 |
| From worksite tracing drawings to integrated digital models for reconstructing and preserving cultural heritage |
Graphic Imprint. On the influence of the representation and ideation tools in architecture |
2018 |
| La Divina Sapienza e la geometria svelata /Divina Sapienza and the Geometry Unveiled |
Rappresentazione/Materiale/Immateriale. Drawing as (In) Tangible Representation |
2018 |
| The rectangular tower with machicolations of Kyrenia city walls (1191-1228), Cyprus |
PROCEEDINGS of the International Conference on Modern Age Fortifications of the Mediterranean Coast, FORTMED 2018, DEFENSIVE ARCHITECTURE OF THE MEDITERRANEAN |
2018 |
| Rome under Rome. Survey and analysis of the east excavation area beneath the Basilica Iulia |
Proceedings of the 2018 3rd Digital Heritage International Congress (DigitalHERITAGE) held jointly with 2018 24th International Conference on Virtual Systems & Multimedia (VSMM 2018) |
2018 |
| (Di) Segni di pietra sul duomo di Terni. Dai tracciati di cantiere ai modelli digitali |
Territori e frontiere della rappresentazione / Territories and Frontiers of Representation |
2017 |
| Anagrapheus. La costruzione di modelli digitali per la conservazione del patrimonio culturale. |
ReUSO. Granada 2017. Sobre una arquitectura hecha de tiempo. Volumen 1. Metodologia, tecnica y conservation. |
2017 |
| The round corner tower of Kyrenia's city walls (1211-1232) |
Defensive Architecture of the Mediterranean. XV to XVIII Centuries |
2017 |
| Worksite tracing in Archaeological Architecture. A reconstruction workflow / Lo studio delle incisioni per l’Architettura Archeologica. Un workflow per la ricostruzione |
DISEGNARE CON... |
2017 |
