Titolo | Pubblicato in | Anno |
---|---|---|
Postmodern Antigones: Women in Black and the Performance of Involuntary Memory | Theatre in the Context of the Yugoslav Wars | 2018 |
Festivals as Social Dramas and Metaphors: Between Popular and Subversive | Cultural Diplomacy: Art, Festivals and Geopolitics | 2017 |
Il nuovo terzo mondo dei performance studies | 2017 | |
How Postmodernity Remembers: Women in Black and Performance of Involuntary Memory | BIBLIOTECA TEATRALE | 2017 |
Introduzione. Il nuovo terzo mondo di performance studies | Il nuovo terzo mondo di performance studies | 2016 |
The Fall and Rise of the Theatre Critic | Trame di Meraviglia | 2016 |
The Emancipated Spectator as a Critic | Critic is Present, Towards the Embodied Criticism | 2015 |
Moby Dick Rehearsed: Orson Welles's Most Daring Adaptation | ZBORNIK RADOVA FAKULTETA DRAMSKIH UMETNOSTI | 2015 |
© Università degli Studi di Roma "La Sapienza" - Piazzale Aldo Moro 5, 00185 Roma