| Titolo |
Pubblicato in |
Anno |
| Photo-Collage e Rhetoric of Regime. Piero Bottoni and the Design of the Piazza of the Armed Forces at the EUR in Rome |
Architectural Draughtsmanship. From Analog to Digital Narratives |
2018 |
| The Labyrinth as an Architectural Mediator: Vredeman De Vries and the Geometric Garden in The Netherlands |
Enchanted, Stereotyped, Civilized: Garden Narratives in Literature, Art and Film |
2018 |
| Model and experience. Measuring deformations of rupestrian architectures in the area of Goreme |
Hypogea 2017. Proceeding of International Congress of Speleology in Artificial Cavities |
2017 |
| The rock-cut settlement and the courtyard complex of Sahinefendi (Nevsehir, Turkey) |
Hypogea 2017. Proceedings of International Congress of Speleology in Artificial Cavities |
2017 |
| Human Figure as a Cultural Mediator in Architectural Drawings |
Cultural Influences on Architecture |
2017 |
| The decreasing fortune of the drawing in the architectural processes. From control & development to verification |
Handbook of research on emerging technologies for cultural heritage |
2017 |
| In un foglio del Manoscritto B il ponte tra Leonardo e Francesco di Giorgio |
Territori e frontiere della rappresentazione |
2017 |
| Tra memoria e progetto. La modellazione delle volte sul foglio 10 del Codice B di Leonardo da Vinci |
3D Modeling & BIM Progettazione, design, proposte per la ricostruzione |
2017 |
| Hermann Maertens e der Optische-Maassstab. La fisiologia della visione al servizio della Raumkunst |
Transdisziplinarität in kunst, design, architektur und kunstgeschichte |
2017 |
| The Geometry of Vision: Hermann Maertens’ Optical Scale for a Deterministic Architecture |
ZARCH |
2017 |
| Il prototipo del palazzetto. L’immagine della Farnesina ai Baulari da Pâris a Letarouilly |
La città, il viaggio, il turismo: percezione, produzione e trasformazione |
2017 |
| ‘La Maestria di eccellenti artefici’. Note a margine di un rilievo della Cappella Cybo di Carlo Fontana |
Carlo Fontana 1638-1714: Celebrato Architetto |
2017 |
| Territorio e rappresentazione: lo “sguardo virtuale” dal treno |
EIKONOCITY |
2017 |
| Mediated representations after laser scanning. The Monastery of Aynalı and the architectural role of red pictograms |
Caa 2015. Keep the revolution going |
2016 |
| Conveying Cappadocia. A new representation model for rock-cave architecture by contour lines and chromatic codes |
VIRTUAL ARCHAEOLOGY REVIEW |
2016 |
| Il disegno come traccia del pensiero progettuale di Leonardo da Vinci |
Le ragioni del disegno. Pensiero, forma e modello nella gestione della complessità / The reasons of drawing. Thought, shape and model in the complexity management |
2016 |
| I modelli digitali per Leonardo da Vinci. Le carte 18v e 19r del Codice B |
3D Modeling & BIM. Applicazioni e possibili futuri sviluppi |
2016 |
| Chromatic gradation as a symbolic and spatial device in the European context. Piero Bottoni’s Cromatismi architettonici |
CULTURA E SCIENZE DEL COLORE / COLOR CULTURE AND SCIENCE |
2016 |
| Mediated Representations After Laser Scanning. The Monastery of Aynali and the Architectural Role of Red Pictograms |
CAA2015 Keep the Revolution Going. Proceedings of the 43rd Annual Conference on Computer Applications and Quantitative Methods in Archaeology |
2016 |
| Die Erfahrung mit lebensgroßen Modellen im Entwurfsprozess |
Manifestationen im Entwurf. Design – Architektur –Ingenieurwesen |
2016 |
