Ricerc@Sapienza

Regista assai versatile, Tiezzi si era già confrontato con l'opera di Arthur Schnitzler allestendo il suo 'Ritorno di Casanova' nel 2014; e ancor prima aveva ‘battuto’ il terreno austriaco portando in scena due opere dell’oltremodo complesso Thomas Bernhard (L’apparenza inganna nel 2000 e Il riformatore del mondo nel 2009).

Luca Ronconi used to say that every text is representable. Even though
his work is the best demonstration of a theatre without borders, it often
contained an implicit reflection on the limit of the staging and on the
identity of the director. Especially in Pornografia, a spectacle of the 2013
adapted from the novel by W. Gombrowicz, Ronconi questions the director’s gaze, his manipulative and performative power. The analysis of
the discursivity of this show will give us the opportunity to investigate

This essay discusses the historiographic assumption put forward by Jean-Pierre Sarrazac in a 2005 study, which considers the appearance of the modern director as ensuing from a common novel and theater culture. Starting from the theoretical- methodological approach proposed by the French scholar, we aim at assessing its developments outside of the case study in hand, by measuring its procedural scope and its evolution over time.

Il saggio ripercorre le diverse fasi del lavoro di notazione apportato dal regista. Inoltre vengono comparate le diverse versioni manoscritte e dattiloscritte.