| Titolo |
Pubblicato in |
Anno |
| Dance Lexicon in Shakespeare and His Contemporaries: A Corpus-based Approach |
|
2021 |
| Bigliazzi, Silvia, ed., Oedipus at Colonus and King Lear: Classical and Early Modern Intersections, Skenè Studies I, 2, Verona, Skenè Theatre and Drama Studies, 2019, 450 pp. |
MEMORIA DI SHAKESPEARE |
2021 |
| Danza, lingue e potere: (s)cortesia ne La dodicesima notte di Shakespeare |
LINGUAE & |
2020 |
| “Few Wise Women’s Honesties”: Dialoguing with Roman Women in Ben Jonson’s Roman Plays |
Roman Women in Shakespeare and His Contemporaries |
2020 |
| Narratological insights and stylistic perspectives in Shakespeare’s Shipwreck accounts |
FICTIONS |
2020 |
| The discourse of historiography in CLIL history textbooks |
LINGUE E LINGUAGGI |
2020 |
| The [Italian] dancing master: English reception of Italian Renaissance terpsichorean manuals. A corpus-driven analysis |
Reception Studies and Adaptation: A Focus of Italy |
2020 |
| From ESP to CLIL: Theoretical Insights, Experimentation and Future Prospects at the School for Army Training Sub-Officers of Viterbo, Italy |
Humanities in the Spotlight: The Role of Humanities in Pandemic Times |
2020 |
| ‘Look out for the small of your back’: (Im)politeness in Swinburne’s The Statue of John Brute |
RSV. RIVISTA DI STUDI VITTORIANI |
2019 |
| Specialised tourist discourse: Translating Schott’s Itinerarii in early modern England |
STATUS QUAESTIONIS |
2019 |
| Swinburne's The Statue of John Brute |
|
2018 |
| ‘When Sorrows Come’: Shakespearean Echoes in The Originals |
INTERNATIONAL JOURNAL OF LANGUAGE & LINGUISTICS |
2018 |
| Let’s MEME together: Role-swapping and digital literacy in adult education |
Adult Learning: Experiences and Prospects in Europe |
2018 |
| Wilde Goes Gothic: Salome between Ghosts and Vampires |
“The common darkness where the dreams abide:” Perspectives on Irish Gothic and Beyond |
2018 |
| La formazione linguistica CLIL: Esperienze, riflessioni, proposte |
CLIL alla Tuscia. Progetti, prodotti e riflessioni dai corsi di formazione |
2018 |
| CLIL alla Tuscia. Progetti, prodotti e riflessioni dai corsi di formazione |
|
2018 |
| Dalla parola al dumb dance show: Twelfth Night del Synetic Theater |
Twelfth Night. Dal testo alla scena |
2017 |
| "There was a star danced": Danza e rivoluzione copernicana in Shakespeare |
|
2017 |
| Remediating Gothic: Hotel Transylvania and the Subversion of Gothic Prototypes |
Remediating Texts and Contexts from Shakespeare to the Present |
2017 |
| Tribble, Evelyn, Early Modern Actors and Shakespeare’s Theatre: Thinking with the Body, London, Bloomsbury Arden Shakespeare, 2017, 240 pp. |
MEMORIA DI SHAKESPEARE |
2017 |
