| Titolo |
Pubblicato in |
Anno |
| 'The Operation of Individual Judgement': In Praise of Critical Editing |
|
2024 |
| The Artfulness of Historical Playwriting in Richard III: Shakespeare and English Tacitism |
CAHIERS ÉLISABÉTHAINS |
2024 |
| "The Truth for which we are Fighting": David Garrick's "The Tempest" (1756) and Inclusive Britishness during the Seven Years' War |
|
2023 |
| Shakespeare at War: A Material History |
|
2023 |
| Introduction: A Material History |
Shakespeare At War: A Material History |
2023 |
| A Portrait of Shakespeare's Folio: Sarah Siddons's Editorial Legacy in Current Editorial Theory and Practice |
Shakespeare's First Folio Revisited: Quadricentennial Essays |
2023 |
| The First Folio at 400: Proceedings of the Thirteenth Graduate Conference of the Italian Association of Shakespearean and Early Modern Studies (IASEMS), with a Facsimile of the Fifth Folio |
|
2023 |
| Hidden in Plain Sight: The Editor(s) of Shakespeare’s First Folio |
The First Folio at 400: Proceedings of the Thirteenth Graduate Conference of the Italian Association of Shakespearean and Early Modern Studies (IASEMS), with a Facsimile of the Fifth Folio |
2023 |
| The First Folio at 400: Editing Roundtable |
SHAKESPEARE QUARTERLY |
2023 |
| Textual Editing and Diversity: Shakespeare’s Richard III as a Case Study |
MEMORIA DI SHAKESPEARE |
2022 |
| Afterword |
Recontextualizing Indian Shakespeare Film in the West |
2022 |
| Shakespeare and Digital Editions |
The Arden Shakespeare Handbook of Shakespeare and Textual Studies |
2021 |
| Networks: Researching Global Shakespeare |
The Arden Shakespeare Handbook of Shakespeare and Contemporary Performance |
2021 |
| Hamlet: State of Play |
|
2021 |
| Introduction |
Hamlet: State of Play |
2021 |
| Shakespeare’s Accents: Voicing Identity in Performance |
|
2020 |
| Introduction |
The Moors |
2020 |
| Rethinking Prologues and Epilogues on Page and Stage |
Rethinking Theatrical Documents in Shakespeare's England |
2020 |
| Ivo van Hove: From Shakespeare to David Bowie |
|
2018 |
| Introduction |
Ivo van Hove: from Shakespeare to DAvid Bowie |
2018 |
