Ricerc@Sapienza

The fruition of a natural or anthropic territory depends basically on the access and moving condition inside the area. These aspects are related both to the paths network characteristics, like slopes and road accessibility, crossing methods, and usability. In addition, a second aspect, which combines all the firsts, is represented by the way in which humans decide to experience this territory, creating a relationship between the way of thinking and movement, contextualizing their thought identity with the external environment.

In un saggio pubblicato nel 1922 da László Moholy-Nagy dal titolo Produktion-Reproduktion, si so- steneva che il compito dell’artista dovrebbe essere quel- lo di usare in modo “produttivo” e non solo “riproduttivo” tutte le tecnologie e i media disponibili. Questo richiamo storico appare quanto mai attuale nella distinzione che potrebbe essere fatta oggi tra un uso “produttivo” ed un uso solamente “riproduttivo” delle nuove tecnologie.

Si mette a fuoco lo stato dell'arte dell'uso del laser scanner e del 3D Modeling per il rilevamento dei beni culturali individuandone le criticità. L'impatto estetico degli elaborati digitali sembra infatti talora prevalere su un'incisività del rilievo inteso come strumento critico, a favore di una clonazione superficialmente conoscitiva di quei dati più immediatamente riconducibili alla categoria del visivo.

To assess architectural drawings should respect precise rules and codes is an obvious consideration, nevertheless, analyzing any projects graphics, we can find drawings with considerable ambiguity of expression. In the climate of the Twenties in Italy, we believe that matter assumes a particular value both for the strong impulse to change that for the difficulty the abandonment of historicist styles and modes.

Within the complex and articulated architectural heritage of the Modern Movement, we are still amazed by the architecture of Lina Bo Bardi. Alive and modern, they never seem to age. The present study allows to better understand this vitality through her drawing. Spaces, geometries, functions, paths, views, perceptions, sensations, are grafted into an ever-changing urban space. Lina’s architecture, at any scale, never seems to lose its freshness in a city in continuous

Il paper descrive la seconda edizione del Convegno Internazionale e Interdisciplinare su Immagini e Immaginazione, svoltasi il 4 e il 5 Luglio 2019 nella splendida sede di Alghero del Dipartimento di Architettura, Design e Urbanistica dell’Università degli Studi di Sassari, che ha adottato, più che una parola chiave, un suffisso, che al tempo stesso è anche un’estensione, “-gràfiche”, per indicare la natura dei soggetti su cui focalizzare l’attenzione e il dominio cui appartengono le tematiche proposte allo studio e all’approfondimento.

Any analysis performed to gather data about architectural and urban heritage always begins with the observation of reality and the involvement established between the observer and the space around them. A spectator inevitably interprets what they see in a personal manner so as to give objects a speci c meaning. The ability to understand the data and the relationship between the parts and then assign it a value varies from person to person.

The study of past artefacts as well as representation methods, graphic systems, behaviour and calligraphies are all crucial in the process traditionally used to understand real life drawings of our architectural and urban reality. The repre- sentations executed in academic circles are a good starting point because these drawings portray not only the memory of the places in question, but also the educational approach used over the years to train architects.

This contribution illustrates how drawing can be used to become familiar with the cultural heritage of the four Imperial Cities of Morocco. Accompanied by maestro Pedro Cano, a group of Italian and Spanish artists, painters and architects went on a sort of Grand Tour to study the cities of Marrakech, Essaouira, Fès and Meknès 1.

This contribution examines several machines and instruments that use fireworks to create light drawings in the sky. Since time immemorial, and even today, numerous publications focus on this issue, including different kinds of Italian handbooks written by chemical artillery experts who focus on these pyrotechnical problems. In the late eighteenth century several important hand- books used extremely accurate and precise graphic representations to explain the composition of these unique mechanisms, the techniques used to create, and the ensuing results.