Andrea Peghinelli

Pubblicazioni

Titolo Pubblicato in Anno
Tutto è segno Calibano. L'opera e il mondo. Aida/blackface 2023
“IT MUST BE BY HIS DEATH”. “I, CINNA (THE POET)” AND THE APPROPRIATION OF SHAKESPEARE’S GHOSTLY VOICE PAROLE RUBATE 2023
Dimensioni narrative e teatro europeo tra XX e XXI secolo STATUS QUAESTIONIS 2022
Regia e romanzo tra XX e XXI secolo. Due sguardi (per un’introduzione) STATUS QUAESTIONIS 2022
Textual Editing and Diversity: Shakespeare’s Richard III as a Case Study MEMORIA DI SHAKESPEARE 2022
Una sfida alle convenzioni della rappresentazione della realtà: Lungs di Duncan Macmillan BIBLIOTECA TEATRALE 2022
“And thus I clothe my naked villainy”: Richard III and the Deformed Body as Rhetorical Camouflage in Thomas Ostermeier’s Production SHAKESPEARE BULLETIN 2021
“The Iron Curtain”: la metafora del teatro sulla scena della Guerra Fredda SIGMA 2020
SigMa - Rivista di Letterature comparate, Teatro e Arti dello spettacolo, N. 4 (2020) 2020
'" Brand New Ancients' l'epica alla prova del tetro britannico contemporaneo" L'epica dopo il moderno (1945-2015) 2017
Agency, staging and representation strategies in Sulayman Al Bassam’s the speaker’s progress ANGLISTICA AION AN INTERDISCIPLINARY JOURNAL 2016
Review: Meagher, John C., Shakespeare’s Shakespeare: How the Plays Were Made, London, Bloomsbury Academy, 2015 (1997) MEMORIA DI SHAKESPEARE 2016
Giuseppe Garibaldi, un eroe inglese LA QUESTIONE ROMANTICA 2015
“Ventitré aprile 1864: Londra celebra «the dramatic works of Giuseppe Shakespeare and the military achievements of William Garibaldi»” LA QUESTIONE ROMANTICA 2015

ERC

  • SH5
  • SH5_2
  • SH5_3
  • SH5_4

Interessi di ricerca

Andrea Peghinelli is Associate Professor of English Literature at Sapienza University of Rome. He has been working on British theatre and has published articles and books on Renaissance drama and Shakespeare (Shakespeare in Burlesque, 2012), Nineteenth century and Contemporary British Theatre (Aspetti della drammaturgia Britannica contemporanea, 2012) of which he has also translated several plays that have been produced. He has been Visiting Scholar at Royal Holloway University of London. In 2016 he was Area Leader for Italy of the project Performance Shakespeare 2016 supported by the Shakespeare 400 consortium, led by King s College University of London. His present research projects are focused on Shakespearean and Early modern appropriations in Contemporary British Drama, critical and theoretical approaches in British Contemporary Dramaturgy.

Shakespeare in Performance; Romantic Theatre; Contemporary Theatre and Drama; 

Keywords

Shakespeare
adaptation
Appropriation
Elisabethan Drama
contemporary

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