| Titolo | Pubblicato in | Anno |
|---|---|---|
| A workflow for fast 3D documentation. An experience on medieval architectural fragments | Proceedings of the 23rd International Conference on Cultural Heritage and New Technologies 2018 | 2019 |
| Modi e modelli per la rappresentazione. Il Tempietto di San Pietro in Montorio Representation methods and models. The Tempietto in the church of San Pietro in Montorio | DISEGNARE IDEE IMMAGINI | 2019 |
| Informative Models for Architectural Heritage | 2019 | |
| From worksite tracing drawings to integrated digital models for reconstructing and preserving cultural heritage | Graphic Imprint. On the influence of the representation and ideation tools in architecture | 2018 |
| Heritagescapes ovvero archetipi indù/Heritagescapes or Hindu Archetypes | Rappresentazione/Materiale/Immateriale. Drawing as (In) Tangible Representation | 2018 |
| La Divina Sapienza e la geometria svelata /Divina Sapienza and the Geometry Unveiled | Rappresentazione/Materiale/Immateriale. Drawing as (In) Tangible Representation | 2018 |
| Documentare, conservare e trasmettere la memoria. La casa-baracca del Poeta Valentino Zeichen/Documentation, conservation and transmission of memory. The house-shack of the poet Valentino Zeichen | Rappresentazione/Materiale/Immateriale. Drawing as (In) Tangible Representation | 2018 |
| Processi BIM a confronto per il patrimonio costruito | Rappresentazione/Materiale/Immateriale. Drawing as (In) Tangible Representation | 2018 |
| Documentare, conservare e trasmettere la memoria. La casa-baracca del Poeta Valentino Zeichen | Rappresentazione/Materiale/Immateriale. Drawing as (In) Tangible Representation | 2018 |
| Emerging Technologies for Archaeological Heritage. Knowledge, Digital Documentation, and Communication | Oceans of Data. Proceedings of the 44th Conference on Computer Applications and Quantitative Methods in Archaeology | 2018 |
| Roc-cut architecture. Modeling Mahabalipuram | Digital HERITAGE 2018. New Realities. Authenticity & Automation in the Digital Age. 3rd International Congress & Expo | 2018 |
| Survey and modeling. From the process to a methodology | SCIRES-IT | 2017 |
| (Di) Segni di pietra sul duomo di Terni. Dai tracciati di cantiere ai modelli digitali | Territori e frontiere della rappresentazione / Territories and Frontiers of Representation | 2017 |
| Anagrapheus. La costruzione di modelli digitali per la conservazione del patrimonio culturale. | ReUSO. Granada 2017. Sobre una arquitectura hecha de tiempo. Volumen 1. Metodologia, tecnica y conservation. | 2017 |
| Low cost survey and heritage value | SCIRES-IT | 2017 |
| Worksite tracing in Archaeological Architecture. A reconstruction workflow / Lo studio delle incisioni per l’Architettura Archeologica. Un workflow per la ricostruzione | DISEGNARE CON... | 2017 |
| Digital acquisition. Reflections on data quality | ARCHEOLOGIA E CALCOLATORI | 2017 |
| Digital Documentation. Villa Borghese | Digital Heritage. Progress in Cultural Heritage. Documentation, Preservation, and Protection | 2016 |
| Drawing. Movie Making Power | 3rd International Multidisciplinary Scientific Conference on Social Science and Art, SGEM 2016. Book 4: Arts, Performing Arts, Architecture and Design. Vol. 3 | 2016 |
| ἔκϕρασις (ekphrasis). Un problema di rappresentazione | Le ragioni del disegno. Pensiero, forma e modello nella gestione della complessità / The reasons of drawing. Thought, shape and model in the complexity management | 2016 |
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