The exhibition wanted to put the attention on the importance of manual drawing for the design thinking, and pursued this intent by proposing ten architects of the XX century and their ideation process for the development of their works in relationship with archaeology. In fact, we believe that manual drawing was, and remains, for the architect, the primary tool for understanding the space and for maturing his own design research.
This collection of eleven essays provides the reader with some valuable insights into the richness of sources dealing with music and musical performance scattered over 3000 years and covering a wide range of geographies, from Syria to Iberia, through Greece and Rome. The volume, then, offers a series of examinations of literary data and materials from different areas of the Classical World and the Near East in ancient times and in late Antiquity, examined both synchronically and diachronically, in some cases in dialogue with one another.
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